One protected broadway concert series this Summer is the American Express Presents British Summer Time in Hyde Park Fest. It will tour the most showcased in its history between June 24 and July 10, with two concerts example by Adele, the Rolling Stones, Pearl Jam, and additional concerts by Elton John, the Eagles and Duran Duran. AEG Presents CEO of European Fests Jim King informs Variety that this summer the festival will establish new data for its greatest tickets sold, highest gross, largest number of funding and highest revenue. “We’ve received the biggest line-up we’ ve had ever, both in terms of quantity and the size of the actors” says King. “To have these nine showcases take on the same summer is pretty unprecedented. In words of a booked fest, it’s arguably the biggest in the world. It’s certainly the biggest in Europe, 2022 has been a huge success for the us.” Adele will play her first live show in five years on July 1 and 2, and King says the festival is over “could have sold several million bookings to the showcase, such is the supply for her.” she pulled out of her Las Vegas residency at The last minute, but King says everything is going well for British Summer Time. “All of our dialogue with her park was hugely positive” he says. “They’re very professional, detailed and thorough and we’ re very thankful that they allowed us to do these shows with them.” Earlier in 2018, there was a first blowback about Adele’s suddenly delayed Las Vegas residency, and in the British media about ticket prices for the showcases, which King ignores as “completely manufactured.” “I take great issue with it – it’s grossly unfair that she was singled out for that, when it’s not the case” he vapourizes. “The fact of The matter is over two thirds of The tickets to The shows were available for £ 75 ($16.98). You can’t go and watch a major sport for £ 75. Here’s the biggest artist in the world touring for the first time in five years, There are only two shows and it’s still cheaper than going to watch Chelsea!” King says he already has scheduled his 2023 bands, when the actors will be “younger-leaning.” And, while he also looks after many other wildly successful performances across Europe – including Rock Está Seine near Paris, which this year will grow from three to five days – he advises there is a risk of the brand being over-saturated. “The one hurdle we still need to overcome is how we manage The supply into The marketplace effectively and make sure there aren’t too many tickets for people to choose from” he tells. “That’s going to be an on-going issue for the next 12 months, but probably more like the next 24. We know fans want to support live music and want live music experiences, we just need to make sure we don’t oversell them.” +The United States. K.’s Eurovision Song Contest travel usually ends in “nul points” and an exchange for oblivion for our player. But this year’s British introduction was, Sam Ryder’s “Space Man” finished second, only behind the Ukraine’s Kalush Orchestra, his brand is set to be the beginning of Ryder’s job. Ryder joined Parlophone co-presidents Mark Mitchell and Nick Burgess 18 months ago when he became a lock on TikTok, and while Mitchell confesses the Eurovision introduction – orchestrated by TaP Music’s Ben Mawson and Ed Millett – was “a massive gamble” they’ re happy that it’ll pay off. “A lot of other people struggled with it, but we felt it was an incredible opportunity that you can’t say no to” Burgess informs Variety. “Maneskin’s success last year proved that you could use it as a platform like any other promotional opportunity, and become a global superstar on the back of it. They’ ve redefined what it’s like to be a Eurovision winner.” “Somebody from another country told me this, Every year, we invite the U. S. K. To this great party. We know they’ ve got a brilliant wine cellar – but then they turn up with a bottle of supermarket wine! ‘” Mitchell smiles. “So this year, it was a case of getting a decent vintage out of the cupboard” “Space Man” is not having success. 2 in the U. S. K, as well as being a success across Europe. Parlophone and Warner Music’s international team are also now attacking the U. S. S. Victory, Ryder will reserve Stateside marketing and concerts this summer and expects to focus on interest generated by the Eurovision-style American Song Contest in the United States. “Sam has all the qualities you need for an artist to be a global star” says Burgess. “Incredible charisma, unbelievable voice, great songwriters, an unique artistic proposition and people like him. There’s absolutely no reason why we shouldn’t emulate the success of all the other big companies, singer-songwriter male vocalists throughout the ages.” Mitchell tells Ryder he will release a new solo soon to “continue the success beyond the Eurovision Dream.” “We are sending him out to do an extra campaign around the world, but we’re not going to let the’ Space Man ‘rest there for a whole summer” he says. “It’s really important we get through Sam the artist, as well as having a hit song.” Ryder is the updated discovery for Mitchell and Burgess in their reimagining of Parlophone, which was a prominent U. S. K. A & R forces during the ’90s and’ 00s with the prefers of Blur, Radiohead, Coldplay, Lily Allen and Tinie Tempah, and dropped off the speed before the Jeep started taking over in 2018. Today, notwithstanding, Parlophone also is appreciating success of victory with Ashnikko and the Snuts, while the fiercely pushed prefers Pink Pantheress and Gabriels, whom Burgess tells? “could be as big as any band in the world at this moment” they are also arriving through. “They’re all relatively experimental actors” says Burgess. “We’ re not signing straight-forward, straight-to-commercial radio artists, We’re signing artists who are building into the mainstream through long-term artist development. We’ re proving that we can live up to the high standards of Parlophone’s past.” +Sam Ryder is also the first name to proclaim showcases at the new high-tech Outernet, which is finally set to clear in central London this summer. The innovation will connect multiple live locations in central London, This area has been exhausted in recent years. The first is, Here at Outernet, a brand new 2,0 -capacity arena while the other, the Lower Third (a reference to David Bowie’s soon melodic past on Denmark Street) this is a revamp of the notably slim 12 Bar Club, which will showcase new and emerging artists. The new programming group, containing talented musical and club executives including Leo Green, Chloe Mitchell, Nicolas Matar and Simon Denby, is also now in position and reserving showcases across a range of genres, and the broadest of artists. “We have a lot of people approaching us for album launches and underplays” told co-operative associate Karrie Goldberg, speaking to Variety. “I can’t reveal too much, but we have big artists looking at doing three or four nights in the fall. They are banging on the door asking how They can support us.” Central London is affected by limited attendance compared to the pre-pandemic twice, the U. S. K. Cost of living disaster implies Goldberg is being manipulated “very price conscious” with showcases. But Goldberg — who created the Kagency reserving organization — had a tough time getting into SFX/Really Useful Group senior Robert Butters as her co-operating associate — is comfortable Here at Outernet may screen the huge disparity that London’s music scene turns when the end of its greatest locations. “The Astoria and The Marquee are The two names that keep coming up” she tells me. “And the opportunity that those two venues offer for artists is exactly the space that we want to sit in, although we’ll have a broader range of programming. You can never replace something, we want to provide a home for those people that have been displaced.” Details of the grand opening are expected soon, Goldberg says the arena is happy to take its time in constructing itself. “We have a 24-year lease, and this is a long contract” she tells me. “We don’t have to draw a definitive line in the sand, We can develop your brand organically. We’re going to work our way through it and develop something that is here for the long haul.” +Meanwhile, the rest of the U. S. K. Live entertainment is gearing up for the country’s first comprehensive fest summer in 2019, after the COVID-19 superbug destroyed the market. Legends rock and blues festival Download is a comprehensive festival for the first time in three years (although it did run the small-scale Download Pilot as a Gov check festival last year). It has already held two of its organized bands since 2020 (Kiss and Iron Maiden, with Biffy Clyro substituting the third, System of a Downhill) for the festival at Donington Park on June 10-12. “Pilot was a great weekend but it wasn’t the big Goliath that we’ ve had on a normal Download” Download Producer!, Andy Copping of Live Nation, Informs Variety. “I can’t imagine the faces of people as they come through the gate having not had a Download in three years, it’s going to be huge” Copping says the festival is indeed essential for the health of the rock and metal forms of music, those who rely on travel to make money. “These acts live and die on the touring side of their business” he tells. “That’s how they create their notoriety and fans. And being unable to travel was really hard. Fests place them on extra eye that is how they beat audiences over.” Thankfully the weather improved that much, COB report ticket sales for Download have been reported “really great” and he had already booked all three 2023 headliners. He also cites high-selling summer shows by the likes of Tool and the likes of, My Chemical Romance, Red Hot Chili Peppers, Guns’ n ‘Roses, Rammstein and others as proof the genre is bouncing back strongly after the pandemic, Despite pressures from outside. “I really loved the point between COVID completed and Putin invasion Ukraine” he quips. “I think back and now desire I’ d been slightly extra successful!” So I’m not going to say it’s stronger than ever because we’re being hit with a really tough economy and everything that’s going on with Ukraine, “he brings him to his table.” But the future of rock music is really bright overall. Business is very strong in this market. New artists such as Spiritbox, Sleep Tongue, Wargasm and Cassyette come through and rock music as a whole is starting to really show its teeth. “+The towering cost of living disaster is indeed concerning Alex Hardee, an associate at the Wasserman Music. K. The Organization is one of the peak British booking agents. Wasserman is reportedly expanding its purchase of Paradigm’s music company in the U. S. S. By buying Paradigm, Ron Burkle and Yucaipa’s shareholders of Paradigm U. S. K.’s music company. Steph rejoins Hardee and friends Dave Hallybone and John Hulk, Tom Schroeder and James Whitting with their Paradigm American peers. The U. S. K. Relationships hold their risks in the company. Hardee tells of Wasserman’s appearance in Game, Rebrand and Hollywood will remark upon his U. S. K. Music consumers, which include the prefers of Liam Gallagher, Lewis Capaldi and Bastille.” I’ve now got four DJs that want to compete in the Premier League! “he laughs.” But if you look after the Olympic athletes, the guiding songwriters and the leading brands in the world. Whereupon t here’s some efficiencies now. We now have a fiefdom in Los Angeles, and the music business is firmly based in LA these days. In [Wasserman CEO/head of state] Casey Wasserman, we now have a figurehead that is an A-lister within the Hollywood episode, which opens doors for everyone. It feels super-comfortable. “Recent British Wasserman successes include a large U. S. K. Stadium tour by My Chemical Romance, this coming weekend Liam Gallagher will return for two sold-out shows at Knebworth, scene of Oasis ‘legendary 1996 gigs, in what’s likely to be one of the summer’s highlights.” When he turns his next officer, Liam was already doing 2 of these, 500 bookings in London, “notes Hardee.” We started taking him over and he’s today selling 180,000 bookings at Knebworth. It has everything to do with the fact That I’m a brilliant officer, but it has nothing to do with the fact that he started singing Oasis music! “Despite the constant quips, Hardee – renowned as one of the U. S. K. Biz’s biggest critic – if he’s serious when he warns that tough times are on the way for an over-crowded British live sector facing huge cost increases.” It’s gonna be a tough summer, Lots of things will be pulled down, “he forecasts.” Too much has been put into one year due to a recession and mass indebtedness, it’s a recipe for disaster. The expression before COVID, The bubble is about to burst and it’s bursting now. “While Hardee wants more tickets sold this summer than ever before, he discusses the explosion in the number of performances, thanks in part to postponed 2020 and 2021 showcases rolling over to 2018, means fewer visits will be cut yet.” Here’s not very many folks and there’s enough money flowing around to purchase all these bookings, “He warns.” If you’re hot it’s sale, but the center is really hard there, notably in Europe. And stuff isn’t sold for October but they might be sold in the summer. If folks can’t charge for stove, they won’t buy concert bookings. “So, will it be a summer of love or a winter of discontent for the U. S. K. Live Business? Watch this space!.