There’s something about Ugly Season’s cover art that makes it more than just a nice picture. Mark Hadreas ‘song was focused inside his body – its emotion and physical movements, his war with Crohn’s illness and the wonderful fantasies of residing as a LGBtq guy – and after his exit from fleshly fleshly desires and sadness on 2017’s No Shape Up Trilogy, noticing him hold alone, staring at the screen on his magnificent 2020 epic Set My Heart on Fire, it felt like a moment of a turning point, Hadreas embracing the joys and frustrations of the human and producing an album that took them all into consideration to create for his greatest comfortable and grand album to date. Sure, as Ugly Season swipes a photo of him into a churning drawing of colors, pastels and chocolate, his sight nevertheless penetrating through it all, it seems something else suggests what he’s doing here, an album lower attached to the material universe or more to the kinds of infinite, soul holy composers of history lgbtq pioneers for Julius Eastman and Arthur Russell. The arising song is nothing short of deep.
With just a bunch of all other bassists assisting Hadreas offer such music to musicians, Alan Wyffels donates peripherals, mellophone, bells and tone; Rob Moose composing string arrangements; quirky Sam Gendel; Matt Chamberlain whistling; Blake Mills playing almost any tool under the heat — the close composers of Ugly Season are amplified just by how tightly coiled and eerie they experience it. Protect two of Hadreas ‘2019 tracks, Pop Song and Eye in the Wall, finding their way onto the album, the entirety of Ugly Season has been constituted of black, dark Western genre and room items pushed through a 6×10 inch cave entrance, Black and white so far indescribably wonderful and full of superb information around every twist. Just a Room Lineup gives you strength, eerie robots that pillow their tone in skin-tearing ambient sounds, Hadreas’ smooth and softly chanting like the last speech of someone being sucked by the mouth of a seagull. Once they reach the bottom, it seems like and everything is potential: Pop Song’s sparkle synthesizers tremble for luminous bugs as Hadreas’ crystal mellifluous verse turns verse into a chant about gender and gay relationships in distorted fashion, I love the words! “Harvest the pit” “Sharpen the pulley” – and the previous Teeth’s recurring hammer rhythmic folds a smooth online inside his simple lyricism, offering all the area to focus on his speech before showing you how fussy he likes to be. Sometimes it is a problem, he completely ignores lyricism, like on the belly weirdo Scherzo and it differs from the album’s multiple halves a nervous piano piece, and it helps set the tone for Ugly Season’s extra extreme second side, or on the rachis concluding Cenote in which acoustic layerings inside Hadreas’ smooth, delicate musicianship and it makes a peaceful, nearly surreal nook where the disappointment he performs across the album’s 10 songs seems to dissipate, at least for a present. Hadreas’s job when he started in his late twenties always has focused around pop, and yet he began experimenting with more of skin and atmospherics in the mid-2010s, but with Ugly Season he has to let go for protection, his song talking completely for itself as he refuses to give you anything except his briefest feelings.
Despite the impenetrableness of the song and its definition could indicate, Ugly Season has the same calming depth and boatloads of affection pumped into all that Hadreas’s previous songs have. Thy is lower enclosed than before, There’s nothing quite as thrilling and tonally brilliant as the seven-minute Herem, clipped chord robots clash with Hadreas ‘glistening lyrics and Wyffels’ soft horn and synth attempting to play, only the second song on Ugly Season one of its greatest and deepest. It’s and it modifiability in part and it Hadreas uses the edge throughout, where the hot team elegance of Eye in the Wall, with rolling homes four-on-the-floor and groovy synthesizers, it conveys the night hours of a club found at the bottom of a bay, can fit perfectly there between the dub-infused title track and production room music fantasy. Photographs and feel great subdirectories okay in that location. Although he prefers the more innovative side of his jobs in Ugly Season, His eye for detail and skill for special music composers has never been forgotten in the combination, Hellbent’s spine-chilling synthesizers and influenced guitars seem eerily similar to the noise of his 2020 Nothing At All, with its uproarious production, and now bent and bowed into an entirely new form. Nothing is ever strong here, and contemplating so Here he authored such music to attain Kate Wallich’s The Sun Still Burns Here, a mesmerizing moment, sex-positive and creative recitals, this is the kind of confusion and formlessness which makes the music make sense. This is a song and it asks you to describe its most important parts, what sticks out to you and what things are highlighted at any given moment. It is amazingly absorbing in a manner few more songs are, not always creating an unique global for the song to present in, but giving you the chance to know its workings and distortions, unmoored reasoning.
Now in the second half of his creative journey, Mike Hadreas hasn’t forgotten any of these bright and glowy faces, each eleven beautiful music creates a fantastic and completely new collaboration with the now 40-year vintage songwriter. Mike Hadreas’ work has always been on the fringes of music, but he eliminates himself completely after that space with “Ugly Season”, I’m going to turn from a gothic music storyteller into a nervous one, nervous magician, showcasing everything that’s been hiding in the edges of his noise in fullscreen, he offered a micrographs look at all the little information and offered previous work that kind of hero appearance. He gives out the same kindness and sentimental frequency and it creates his history songs sure captivating, but has the song say and it narrative instead of his tone, rejecting his standard clear songwriting for angle and creative narration and it gets you involved without telling you all absolute. The Ugly Season leaf you more within wonder with Hadreas’ art than ever, the once in a lifetime artist examines himself and the global inside him with a meticulous focus and it doesn’t miss a single information, Music as his plan and feelings as his lead. Now, he made a noise that would be soothing, hazy, and pressing the, Ugly Season demonstrates he can present on the upside of that much, very close to one another.