There’s something about Ugly Season’s cover art that makes it more than just a nice picture. Mark Hadreas’s song is focused inside his body – its emotion and physical movements, his war with Crohn’s illness and the wonderful fantasies of residing as a lgbtq guy – and after his exit from fleshly desires and sadness on 2017’s No Shape, not noticing him hold solo, staring at the screen on his magnificent 2020 epic Set My Heart on Fire Immediately, it felt like a moment of a turning point, Hadreas embraces the joys and frustrations of the human and produces an album that takes them all into consideration to create his greatest comfortable and grand album to date. Yes!, as Ugly Season swipes a photo of him into a churning drawing of colors, pastels and chocolate, His sight nonetheless penetrating through it all, it seems something else suggests what he’s doing here, an album lower attached to the material universe or more to the kinds of infinite, soul holy composers of history lgbtq pioneers for Julius Eastman and Arthur Russell. The arising song is nothing short of deep.
With just a bunch of other bassists assisting, Hadreas offers such music to living audiences, With Alan Wyffels donating peripherals, mellophone, bells and tone; Rob Moose composing string arrangements; an eclectic Sam Gendel; Matt Chamberlain whistling; Blake Mills playing almost any tool under the heat – the close composers of Ugly Season are amplified just by how tightly coiled and eerie they experience. Protect two Hadreas ‘2019 tracks, Pop Song and Eyes in the Wall, finding their way onto the album, the entirety of “Ugly Season” has been constituted of black, dark Western genre and room items pushed through a 6×10 inch cave entrance, black and dour, so far, indescribably wonderful and full of superb information around every twist. Just a Room gives you powerful, eerie robots that pillow his tone with skin-tearing ambient sounds, Hadreas’ smooth and softly chanting like the last words of someone being sucked by the mouth of a seagull. Once he achieves the bottom, it seems like there are other possibilities: Pop Song’s sparkle synthesizers tremble for luminous bugs, as Hadreas’ crystal mellifluous verse turns and chants about gender and sexual relationships in distorted ways, I love the words “Harvesting the pit” “Sharpen the pulleys” and the previous Teeth’s recurring hammer rhythmic folds smooth inside his simple lyricism, offering all the area to focus on his speech before showing how handful he likes to straighten you in. Often a, he completely ignores lyricism, like on the belly weirdo Scherzo, an unique piano piece and it helps set the voice for Ugly Season’s extra extreme second side, or on the rachis concluding Cenote, in which acoustic layerings inside Hadreas ‘smooth, delicate musicianship and make a peaceful, almost surreal nook where the disappointment he performs across the album’s 10 songs seems to dissipate, at least for a present. Hadreas’s job when he started in his late twenties always focused himself around pop, and yet he began experimenting with more of skin and atmospheres in the mid-2010s, but with Ugly Season he has to let go of it and it protects him, his song talking completely for itself as he refuses to give you anything except his briefest feelings.
Despite the impenetrableness of the song, its definition could indicate, Ugly Season has the same depth and boatloads of affection pumped into every song that Hadreas has. Tho it is lower than before, There’s no question why thrilling and tonally brilliant the seven-minute Herem is, clipped chord robots clashing with Hadreas’s glistening lyrics and Wyffels’s soft horn and synth attempting to play, only the second song on Ugly Season one of its greatest and deepest. It’s and It’s modifiability in part which Hadreas uses throughout his Edge, where the team elegant Eyes in the Wall, with its rolling homes four-on-the-floor and groovy synthesizers and it conveys the night hours of a club found at the bottom of a bay, could fit perfectly there between the dub-infused title track and production room music fantasy Photograph and feel great subdirectories okay in that location. Although he prefers the more innovative side of his jobs in Ugly Season, His eye for detail and skill for special music composers hasn’t remained forgotten in the combination, Hellbent’s spine-chilling synthesizers and influenced guitarists seems eerily similar to the noise of his 2020 Nothing At All with its uproarious production, and bent and bowed into an entirely new form. Nothing is always strong here, and contemplating so Here he authored such music to attain Kate Wallich’s The Sun Still Burns Here, a mesmerizing, sex-positive and creative recitals, this is the kind of confusion and formlessness that makes the music make sense. This is a song and it asks you to describe its most important parts, What sticks out to you and what things are highlighted at any given moment. It’s amazingly absorbing, in a manner few more songs are, not always creating an unique global for the song to present in, but gives you the chance to know its workings and distorted, unmoored reasoning.
Now in the second half of his creative travels, Mike Hadreas hasn’t forgotten any of these bright and shining moments, these eleven beautiful tracks create a fantastic and completely new commentary with the now 40-year vintage songwriter. Mike Hadreas’s job has always been on the fringes of music, but he eliminates himself completely after that space with Ugly Season, I’m going to turn from a gothic music storyteller into a nervous one, nervous magician, showcasing everything that’s been waiting in the edges of his noise in fullscreen, offering a micrographs look at all the little information and it offered his previous work that kind of hero and appearance. He gives out the same kindness and sentimental frequency and creates his history songs sure captivating, but has the song say narrative instead of his tone, rejecting his standard clear songwriting for angle and creative narration and it gets you involved without saying it all absolute. Ugly Season leaf you more within wonder with Hadreas ‘art than ever, the once in a wave skill examines himself and the global inside him with a meticulous focus and it doesn’t miss a single information, music as his plan and feelings as his lead. Now, he makes a noise that would be soothing, hazy, and pressing, Ugly Season demonstrates how he can present himself on the upside of that, very.
