A lot of big words can be used to describe Andrew Leahey and The Homestead. One of such phrases is vociferous. Since 2016 The band has released three albums. In that time, The band has shown that it is able to fist-pumping rock music as well as kaleidoscopic music with melodies such as remember clearly The Beatles.
Last year, The band released “American Static”, Vol. 1, which is an excellent illustration of The yin of this ring with both midtempo rock musicians and spacey songs that really are equal parts The Beatles and The Byrds. It was the first part of a double song (true, a double soundtrack on the stilettos of a pandemic when the world decelerated). On American Static, Vol. 2. The band continues to show off not only the dialectics, and its versatility in both rock and pop feel.
One problem that stands out on this One song is Leahey’s ability to switch between midtempo rock music and spacey psychoactive sounds. He doesn’t just sing from one song to another. He does it within human tracks. “Sign of the Times” it’s a good example. Portions of the song are dreamy and trippy and reminiscent of “Buffalo Killers”. The side pieces of the piece of music are rock and roll driven by lively riffs and an outscore that will get your forefinger cranking.
Another strength on this album is Leahey’s ability to set you up to deliver shocking poems. An example is now at the beginning of a “Dial Tone”, where he sings, “I miss her like a dial tone. I miss her on TV as a static.” It kind of makes you wonder how the topic of the music is overlooked, but the lyric progresses, You realize that it is a longing for something that is relatable.
“Hanging Heavy” another example of the versatility of this group. For someone else, It is based on the musical, although the instrument is starred in the instrumental split. Both, One such song has a little more pop in both noise and frame, and it loses the psilocybin entity of a lot of the melodies. After gaining a healthy dose of the rock, the said predates the said lyric, It’s interesting to see that the band can do just as well with a pretty song.
Leahey reveals his skill as a wordsmith in “Stay Awake”. The instrument in this one has something of a goth acoustic. In discussing the 9 to 5 survival, He sings (supposedly for anyone who has ever worked a 9 to 5), “Feels like I’m paying to play for the right to exist.” After chanting over someone who’s on track to really be CFO and the alumnus soliciting donations, he sang the enjoyable branch, “I’ll sleep when I’m dead broke, but first I’m getting paid, and if you want to live the American dream, you gotta stay awake.” American Static, Vol. 2 is an album of pleasant surprises. It retains you aware of what you’ ll share, and no matter how it emerges next, you can be sure it’s good. It’s as pleasant for moving on a road trip as it would be for welcoming the day with your first coffee – a nice surprise.
