Various Artists: PC Music, Vol. 3 Album Release


Despite the high-concept graphics of PC music, shapechanging producers, and bold collab with international beer companies, the brand’s ambitions are modest. Creator A. G. Cook, the operation of the boundary-pushing music company was all about releasing music that begins to feel frank and close, at the beginning. He told Interview Magazine “When He Creates Songs”, it’s because if his device is an offshoot of himself. “My brain is just operating on a different level” He stated. ” [My computer is in danger of failing] feels like a part of me.” Over the years, he’s made it clear because if he and his participants create a problem “personal computer music” the focus is always primarily on the “Personal preference.”

PC Music Volume 3 — a mix of new tracks and Music releases since 2016’s Volume 2 — is one of only two labels to completely give away that potential. In the early days of the label, it could experience and there was a house style of types — notably since Cook used to have his fingers in almost all of the label’s many enjoyable plastic producers — but Volume 3 devastates the concept that here’s anyone one PC Music noise. Neither issues the style — from cyberpunk podcast refractions to acid-burned grumble moments — a song feels deeply precise and mentally rich, filmmakers are inquisitive about self-expression but they are centered on moving concepts about what pop music could sound like.

In the example of many of the artists captured on Volume 3, that means notching once connected to music that’s truly some match for the Billboard displays. A. G. Cook’s “Xcxoplex” for instance, Charli invites Charli XCX to an ecstatic remodel from one of his solo songs, and it feels weird, in locations, like the sort of ecstatic EDM song it would have when narrated by children crushing their teeth at Electric Zoo. Cook has never been the kind of composer to accept pure pleasure; the most gorgeous scenes are done online, acrobatics, and pitch-shifted vocals. Yet as the tonality of pop songs changes more toward suré feels — the head-spinning sonics of hyperpop, digicore, and pluggs have appeared from the online underwater since the last PC Music listing — Cook’s producers were always beautifully surreal. A lovely initiative, like de’s “overs u” and Namasenda’s “☆” (that includes French singer-producer Oklou) are a little simpler. The above attitude can be a morality for pop music, and some of such scenes feel a bit lightweight in the setting of a PC Music listing that’s full of complicated, wealthy take on other noticeable feels.

Still!, side familiar faces from the PC Music collection turn up to turn in any of their many enjoyable tunes. Starr Diamond offers up an accomplished lyric on “Invisible.” Felicita players with Caroline Polachek for the spectacular music melody “marzipan.” Danny L Harle shares a lovely dance track with Clairo “Blue Angels.” Many of these songs have been released online, sure, Volume 3 starts to feel a little like Greatest Hits from the last half-decade of PC Music — a festival of how far they’ve arrived since their fade listing. They are working with actors today, and yet they still experience like music accommodationists, pressing their participants to try out new and strange sounds.

Over the last century they have created the boundaries of music and dance, they still sound better when they swim in the unknown. A set of songs by Brooklyn-based maker umru that reflect some of the compilation’s many innovative feels, the first in A long list of original songs by this acclaimed songwriter. “Check” starring Tommy Cash and glitch-rap chimera 645AR, driven by a threatening but still modest rhythm that seems as if a UK mine song crumbles upon itself. “Popular” a 2018 music video starring 100 rock stars Laura Lester, is full of distorted microelectronic and splattered kaleidoscopic tunes. But unlike a bunch of digitalist music launched in its morning, It’s centered and easy, obviously the jobs of a maker and meticulous musicianship, and still concluded to ignore it completely.

It’s in such scenes that PC Music Volume 3 feels the most unique. While Lil Data lamps the edges of anhydride electronics “Burnnnnnnn” and also when Planet 1999 sent the synthpop beyond the troposphere on “Party” Here’s a sense that PC Music haven’t performed so far. Yet, as most of the label’s initiatives side in relation to the contemporary, There’ll still be space in PC Music for filmmakers who want to find completely unique planets.